here is my new concept: influencing LSLL during third pair
in particular I have generated algorithms for edge orientation when inserting the LB pair when the last 2 slots are opposite, which I called EOLB.
so the method could go as follows:
-cross+diagonal pairs however the hell you want to...
I currently solve corners first, and I've been doing it for the last 4 years. However I'm trying to switch to edges first, and I've already got a sub-30 mo3 on cam an a PB single of 21 somehow. audio edges can be hard at first, but if you're well isolated from distractions and you're focused...
Imma bump this
better algs than Ollie's (post #223, in the same page)
FD - UL - RU - [Rw U Rw' , S']
FD - RU - UL - [S' , Rw U Rw']
FD - UR - LU - [R' F' R , S]
FD - LU - UR - [S , R' F' R]
just because I could, and couldn't come up with anything else atm :P
U R' [ U' ] R L R' L' R L' U // 2 moves into WO, which I cancelled into (Is this a good thing to do in this case?)
[R] L R' L' R r //LL
next: L' R B' R L B L' U' b'
P.S. PLZ SOMEBODY ACTUALLY REPLY